For the food for thought task I have been asked to plan and
carry out my own food based photo shoot. As it is October and therefore close
to Halloween, I have decided to make some Halloween themed rice crispy bites in
the shape of small orange pumpkins and take photographs of them. I have chosen
this to photograph as I feel that it is something a little bit different and as
it is not something which is store bought, it adds some originality to the
photoshoot. In addition to this, I have themed my shoot around the current time
of year to add a little more interest to the photoshoot. For this photoshoot,
as I plan on shooting the images not too long after I have made the food in
which I will photograph, I plan on taking these photographs within the same
location as where they were made so this would be in my kitchen at home. I have
chosen my kitchen to take these photographs as I plan on taking them during the
day and the large window in my kitchen means that a lot of natural light is
allowed into the kitchen making for well lit photographs with shadowed areas
also if I wish to have a slightly darker setting with softer lighting. I plan
on making this photoshoot a still life shoot meaning I will gather some props
for my images but I will not need and models for my shoot. As far as props go, I
plan on keeping it simple and keeping the focus on the food itself. The type of
props which I intend to use include general kitchen equipment such as a baking
tray, chopping boards, small plates and maybe some other small pieces like this
which I feel would work well. In addition to this I may use some pieces of
fabric to style my shot and add a little bit of added interest to my images. For
this shoot I do not think that I will need any additional equipment other than
my camera itself. As this is a still life shoot, I may require some close up
shots for which I may use my macro lens adapters in order to get a more close
up shot but this is something I will decide at the time of shooting. As far as
costs go for this shoot, there will be some initial cost as I am planning to
make the food in which I am photographing so I will first need to buy the
ingredients. I will be buying the ingredients from my local shop so I do not
need to worry about travel expenses but I will need to buy the rice crispies,
marshmallows, food colouring and some Haribos in order to pick out the green
gummy bears to create the stork of the pumpkins. The cost of all of this should
not be too expensive as these are quite cheap ingredients and I am guessing the
price of all of this will be around the five pound mark. This is the only cost involved
with this shoot making the cost of this shoot just five pounds.
Risk Assessment:
Photographs:
For this shoot I decided to photograph some rice crispy bites
made to resemble small pumpkins which I made myself. I decided to do this as I felt
the idea was unique, original and showed my creative side. This was something I
wanted to do as I did not want the idea of my shoot being replicated so by
photographing something which I had created myself, it eliminated this risk. Before
shooting my images I first had to create the pumpkin rice crispy bites and this
was easily done by combining rice crispies, melted marshmallows and some orange
food colouring then rolling small amounts of the mixture into small balls
before topping with a green gummy bear to resemble the stork of the pumpkin. I was
happy with the way these rice crispy pumpkins looked however they did not look
perfect but I feel that this added to their charm as it made them look home
made which was the feel I was going for with this photoshoot. Once the rice
crispy pumpkins had been created, it was then time to photograph them. To do
this I relied on the natural lighting which was available within my kitchen and
used a few props in order to style my images but relied on the food itself to
be the main focus of my images as this was the most important thing to
photograph. As I had quite a lot of these small rice crispy pumpkins, this
meant that I was able to choose how many I included within the shot at any
time. With this in mind it meant that some shots include only one or two of the
treats however some of the other shots show many more to the point where they
fill the entire shot. When planning this shoot, I was a little concerned that
it would not go to plan as it was something I did not yet know what it looked
like as I was yet to create it however I am happy with the way this shoot
turned out and I am happy with the images which I gained from this photoshoot.
Here are the photographs which I took during this photoshoot:
Here is a closer look at some of my favourite photographs from this photoshoot:
This is one of the first photographs which I took during
this photoshoot and it shows a selection of rice crispie pumpkin bites placed
on a baking tray. I chose to take this photograph as this is what the batch of
rice crispie pumpkins looked like right after I had finished making them as I had
put them onto a baking try in order to let them cool and set in the fridge for
a while. This photograph was taken right after taking the tray out of the
fridge and I had placed the tray on the worktop by the window in my kitchen. This
means that this photograph was lit using natural lighting which was let in from
the window which was situated behind the rice crispie pumpkins. With this
photograph I wanted to keep it simple, this is why I did not include a lot of
props which could have potentially distracted from the subject of the image. In
addition to this, to keep the focus on the intended point, I chose to use a
shallow depth of field meaning that the focus on only of the front pumpkin
while the rest drop out of focus. This means that as a viewer, your eye is not
diverted to other aspects of the image.
This photograph is very similar to the last in that it was
taken within the same location at the same time and I did not move anything
when setting up this shot. For this shot I left everything as it was and chose
to take a close up shot of the pumpkin which was closest to the camera. As I used
a shallow depth of field and this is a close up shot, it means that the front
pumpkin is in focus while the rest of them drop out of focus and also fill the
background of the image giving an overriding orange colour to the image which I
feel fits well with the autumnal theme which I was going for with this shoot. When
editing this image I put it into photoshop in order to slightly alter the
levels to make the colours pop a little more. I did not feel that this image
needed and additional editing as I was happy with the image as it was.
For this photograph I chose to just take one of the pumpkins
and place it onto a pale golden coloured piece of fabric which I then crumpled
slightly around the pumpkin in order to add a little texture and detail to the
photograph. For this photograph I chose to only use one pumpkin as I didn’t want
to overload the photograph with information which the viewer then has to take
in, I wanted to keep it simple yet effective which I was I feel I achieved with
this photograph. The lighting for this photograph is provided by natural
lighting which was let in from a window located behind the pumpkin and this is
evident by the way the light hits the folds of the fabric. With this
photograph, I like the contrast of textures as the rice crispie pumpkin has a
very uneven texture while the folds of the fabric create a smooth, silky and flowing
texture which provides a nice contrast to keep the photograph interesting yet
remaining simple. Once I had taken this photograph I put it into photoshop and
changed the levels slightly in order to bring out the orange of the pumpkin to
make it catch the eye slightly more.
For this photograph I used the same piece of fabric as the backdrop
of this image but this time I smoothed it out in order to create a smooth and
even background. This photograph shows two pumpkins, one placed slightly in
front of the other and using a shallow depth of field I focused on the front
pumpkin making the back one drop out of focus keeping the viewers eye
predominantly on the pumpkin in the foreground of the photograph. As with the
other photographs from this shoot, this photograph was lit using natural
lighting which provides a nice even lighting for the shot however, as the
lighting was quite bright. It meant that it washed out the golden colour of the
fabric which I used as the backdrop. Ideally I wanted to keep this golden tone
in order to add to the autumnal theme of the image however the yellow tone was
lost creating a white backdrop which is crisp and clean however it does not add
to the autumnal theme which I wanted. Once I had taken this photograph I put it
into photoshop in order to change the levels slightly.
For this photograph I used an orange carrier bag which I found
to form the backdrop of the image. This image shows a single pumpkin in the
centre of the orange carrier bag and was intended to have an autumnal look to
the image, however it did not go how I thought it would have done. In theory
the orange of the carrier bag was supposed to add to the autumnal theme of the
shoot however it turned out that it made the image look too busy as there is
quite a lot going on with one colour covering each section of the photograph. This
photograph was lit by natural lighting being let in by the window behind the
pumpkin and I also chose to use the flash on my camera in order to illuminate the
pumpkin slightly more to make it stand out from the carrier bag. This also did
not go to plan as the flash has been reflected off of the pumpkin itself making
it a little too bright. After taking this photograph I put it into photoshop in
order to change the levels to try make the photograph more appealing however,
even after attempting to edit this photograph, I am still not happy with it and
I think that the other photographs from this shoot are a lot better.
For this photograph I chose to take a selection of the
pumpkins and place them onto a cake board and put them into a pile in order to
resemble a pike of pumpkins which could be found at a pumpkin patch or
something similar. The lighting for this photograph was provided by natural lighting
which was let in from the window which was situated towards the left of this
photograph. This is made evident by the left side of the pumpkin pile being
well let while the right is in shadow. This shows that lighting is only coming
from one side rather than from both sides. When taking this photograph I decided
to use a small aperture, creating a large depth of field meaning that each of
the pumpkins is in focus and the entire pile is clear and visible. After taking
this photograph, I put it into photoshop in order to alter the levels slightly
to make the orange of the pumpkins stand out a little more and make the
photograph a little more eye catching than it was before.
This is another shot taken immediately after the last. This photograph
shows the same pile of pumpkins but this time I chose to take a close up of the
pumpkin which was situated on the corner of the pile. As I wanted a close up of
the one pumpkin, I chose to use a shallow depth of field so that the one
pumpkin was in focus while the rest dropped out of focus keeping the focus on
just the pumpkin in the foreground of the photograph. As this photograph was
taken immediately after the previous one, this means that the lighting is the
same as before and was provided by natural lighting let in by the window
situated to the left of the photograph. I feel that the lighting for this
photograph works well as it makes the orange colour of the pumpkins nice and
bright and stand our from the neutral backdrop. After I had taken this
photograph I put it into Photoshop and adjusted the levels very slightly in
order to make the colours pop a little bit more to make the photograph a bit
more eye catching than it already was.
This photograph shows a birds eye view of one of the
pumpkins which has been placed onto a wooden cake board. I chose to take this
photograph from this angle as I thought it would be slightly different to the
other images with I have taken within this shoot and changing the angle of the photograph
makes it a little more interesting than if I had kept the angle the same
throughout the entire photoshoot. As with all of the other photographs within
this shoot, the location of this photograph is my kitchen meaning that the
lighting was provided by the large window however with this photograph I chose
to use the flash on my camera as the angle which I was taking the photograph
from meant that I was blocking some of the light from hitting the pumpkin so I used
the flash on my camera to add a little more light to the image and brighten it
up a bit which I feel works well as the orange of the pumpkin is nice and vibrant
within this photograph. Once I had taken this photograph, I put it into
Photoshop and changed the levels slightly in order to add a little more depth
to the image.
This is another photograph which I took using all of the
rice crispie pumpkins which I created. This time I decided to place them all
together in rows and took a photograph in which multiple pumpkins fall of the
edge of the photograph meaning that the pumpkins fill the entire photograph and
this gives the illusion that there are a lot more pumpkins here than there
actually are as the photograph only shows 9 pumpkins but this photograph looks
as though it is quite a close up shot of a large batch of these pumpkins which
was not the case. The lighting for this photograph was once again provided by
the natural lighting let in from the large window towards to left of the
photograph however because of the time in which I took this photograph, I began
losing light as it started to later into the evening this means that the
lighting within this photograph is not as bright or vibrant as the other
photographs. When taking this photograph I used quite a shallow depth of field
meaning that only the pumpkins which I focused on are in focus while the rest
drop out of focus however the out of focus pumpkins are not too out of focus as
you can still make out what they are but they are out of focus enough so that
they don’t cause a distraction to the rest of the photograph. When focusing my
camera I chose to focus on the second row of pumpkins as I felt that this would
add a little bit of interest to the photograph rather than always focusing on
the item which is in the foreground of the image. After taking this photograph I
put it into Photoshop and edited the levels slightly in order to try and
brighten up the image however the lack of lighting within the image is still noticeable
but I have grown to like this look as I feel that the dark sections of the
photograph add warmth and depth.
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